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Nick.

Founder of Soho House

meet.

Restaurateur & Entrepreneur

Nick Jones casts a brief, searching eye around the room. We’re on the top floor of the new Soho House on Dean Street, and he’s paused for the first time in our conversation to try and illustrate a point by way of an object in the room. He leans back into his spot on a sofa, wearing jeans and trainers that bely his mogul-like status in the hospitality industry. He seems to have mastered a unique way of being, perfectly suited to the surroundings he both industriously masterminds and languorously inhabits. He is all at once both jovial and abrupt, relaxed and to the point.

The building is the latest addition to the Soho House Group’s London ‘houses’, a now-global collective of members’ clubs and hotels that Nick brought into this world with the opening of his very first club, a mere stone’s throw away on the corner of Old Compton Street and Greek Street. That original location – all unexpected nooks, artfully utilised crannies – is currently being renovated, and for now at least this new spot at 76 Dean Street fulfils the role of flagship house majestically. An altogether slicker proposition, it nevertheless retains the idiosyncratic stylings and thoughtful, friendly attention to detail that has seen Jones’ vision become so beloved by the arts and creative industry crowds drawn to each of the seventeen houses opened worldwide to date. It is a success story that shows no signs of slowing down – “we feel we have the capacity to open two or three new houses a year,” Nick says matter of factly.

In this moment though, he is concentrating not on the profiles and arresting buildings of the next international city his team have scoped out for expansion, but on this one room. It is in an attempt to somehow convey just how that personal vision is tangibly executed across such disparate locations; across a wealth of different concepts, from the re-energised former US embassy of Soho House Istanbul to the hyper-bucolic pleasures intrinsic to Soho Farmhouse, his reimagining of a traditional English holiday camp, Soho Farmhouse.”All of our design is done in-house,” he says. “We have a group of really fascinating, talented designers but you know, I love getting involved… In fact I get involved with it all.” Finally his eyes settle on a beautifully preserved chair immediately to the side of where we’re sitting: a typically refined mid-century affair that shouldn’t in theory work in tandem with the decadently bohemian oversized couch we’re currently occupying. Of course it’s testament to Nick’s single-mindedness how well it does: all the more so when you consider it has been upholstered in a not exactly ‘safe’ shade of mustard yellow fabric. “That chair, it wouldn’t have been ordered without a nod from myself,” he says with visible satisfaction. There is little doubt that ‘the nod’ would also have to have been given to any number of other elements in the room, from the choice of rich, dark wood for the bar to the uniforms that the staff wear – at once somehow formal and relaxed all at once – to the eye-catching, eclectic artworks that occupy so much of the wall space in every room.

Nick says he always felt the urge to be more expansively creative, which perhaps explains the way he attacked with such conviction the opportunity to open the very first Soho House some 21 years ago. He went into catering at a young age – a move that surprised pretty much everyone around him, who told him it was “a shit job.” However he persevered until one day, whilst running a restaurant in the heart of Soho, “the landlord phoned me up and said ‘would you like to take the space above?’” The obvious follow up question is -but why a members club, specifically? Was there something about that moment in time, about members clubs in London or beyond that made you want to shake things up? Nick, in typical style shrugs and smiles wryly at any attempts to suggest there is a more grandiose narrative at play. “I mean, it only had a small door. I just thought, well you can’t do a big public restaurant with a small door. I know people do it now, but 21 years ago people weren’t doing it.”

That ‘small door’ acted as a gateway for Nick to entertain all of his most creative impulses on an ever-increasing scale. Every new venture however is tied to a few fundamental foundations: chiefly that the houses should remain hubs in which to bring creative minds together; that their approach to private membership should be one that fosters a sense of inclusivity rather than exclusivity. They haven’t always got it right, concedes Nick with reference to their New York house becoming at one point overstuffed with slick corporate types from the financial district. Always though, Nick tries to keep an idealised version of his ‘favourite’ Soho House member in mind: “the struggling scriptwriter who might be having a tap water in the corner.” This might sound trite or hollow coming from any other supremely successful businessman, were it not for the fact that Nick appears to have built his empire by appealing exactly to those souls trying to channel the same things he does in some form or another. “I’m always looking for ideas but that’s my hobby,” he says at one point. “My hobby is creating ideas, and design, and food, and drink… They’re perfectly legitimate hobbies to have, I just managed to turn my hobbies into a job.”

It is this sentiment that is left hanging in the air as our conversation comes to an end. Nick raises himself from the deep cushions of the sofa and by way of big smiles and hearty handshakes abruptly vanishes himself from the room. We’re left to linger here in one of the many miniature worlds he has created along the way, whilst he presumably heads off to continue tinkering with a brand new one. Sinking down in another perfectly chosen piece of furniture, conversing with a cheery bartender employed to be anything but a faceless drone, marvelling at the way an archaic fireplace is surrounded by edgy modern artworks to achieve the most unexpectedly perfect balance… Suddenly you begin to see how a man as undoubtedly busy as Nick Jones still manages to think in terms of hobbies rather than jobs.

By for Semaine James Darton.

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ask.

"Nick's Daily Routine"

No two days are the same, usually I am in one of the Houses
around the world. When I’m in London…

6am:
“I get up at about 6am, I do a quick email check and then I’ll
go to the gym for an hour – I try to do this wherever I am. I’m
into boxing at the moment. I have a pretty good personal
trainer who keeps me on my toes.”

7:30am:
“By about 7.30am I’m in the office and ready to start my
meetings. I’ll meet with all of the teams throughout the day:
the architects, design team, people and development,
operations, communications… I do still like to be involved
with the decisions. It’s a very collaborative process between
us all.

I’m having lots of meetings about the new House in
Barcelona at the moment, as it’s opening at the end of
October. I’m really excited about this club, it’s in the Gothic
quarter, in a 19th century building, overlooking Port Vell
marina.

At some point I’ll try and get some breakfast from our in-
house cafe in the office, House Kitchen. I usually go for eggs,
I love a side of bacon and of course a good coffee.”

Midday:
“Come midday I’ll jump on the tube and head out to some of
the sites. At the moment I am spending a lot of time visiting
The Ned, our new place we’re partnering with Sydell Group
on. It’s a hotel, club and collection of restaurants in the City
of London. I’ll jump on the tube and head to Bank – it’s set in
the former Midland Bank building on Poultry. The building
was designed by Sir Edwin ‘Ned’ Lutyens in 1924 and the
space has nine restaurants and 252 bedrooms. It’s going be
a very big opening for us next year.”

2pm:
“At about 2pm, if I am in one of our sites I will grab lunch
there, otherwise I’ll grab lunch on the go and eat in
meetings. Sushi is always good, I’m not a fussy eater and
like to keep it quite simple and quick.”

7:30pm:
“I try to wrap my meetings up by 7:30pm and go for an early
drink. If I’m in London I’ll probably pop next door to 76 Dean
Street or go out with the operations team to one of the new
openings in London- it’s good to check out what is going on
in the City.”

11pm:
“I’ll head to bed at about 11/11:30pm, 6 hours sleep is more
than enough for me. I still enjoy a party – I wouldn’t have
gone into this business if I didn’t. I just don’t stay up until
3am as much as I used to.”

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